Piracy boosts popularity, film at 11.

According to this /. article, the music industries own studies have affirmed the idea that it is better for bands and for the music industry to just give away MP3s and let the resulting increase in popularity drive concert ticket sales.

Gee, you think?

Isn't this the exact same concept as allowing music to be played, more or less, for free on the radio (yes, radio stations pay for music rights, but the amount that they pay is virtually negligible - it certainly pales in comparison to the amount of money spent in promotion) spurs concert ticket sales? According to everything I've ever read about the music industry, bands pretty much just make records for free in the hope that album sales drives concert ticket sales, which is where the average band actually makes their money. What they get out of the "big record deal" isn't money from album sales, it's promotion from the record company that, yes, drives album sales for the record company, but also drives concert revenue for the band.

As for me, the last CD I bought was National Lampoon's "That's not funny, that's sick," which was actually a record first released in 1977. I bought it about 3 years ago, promptly ripped it into iTunes and filed the plastic in the garage. Apart from that, for about the last 5 years or so all the music I've bought has been either DRM-free iTunes plus AACs from iTunes, MP3s from Amazon, or when absolutely necessary iTunes DRMed tracks (but only when there is software available to easily strip the DRM. And, no, burning a CD and ripping that doesn't count).

Desecration of a classic

They could light up a small town with the energy created by Keith Moon spinning in his grave tonight. The only reason we can't all live a carbon-free existence is that the same cannot be said about Roger Daltry and Pete Townsend.

What am I talking about?

The theme song to CSI:NY has, since its inception, been a slightly edited (for time) version of Baba O'Riley, by The Who.

This year, for whatever reason, they have decided to totally ruin it.

Though the Roger Daltry vocal track is still there, the music bears little resemblance to the original. It's a bizarre mishmash of synth instruments and way, way, way too much drum solo. While they were at it, they totally redid the actual opening credit video as well. That didn't offend me so much. But farming out the audio to some low-rent MIDI programmer? I call that a bargain. The worst I've ever had.

Syndrome of a down

Serj, the lead singer of System of a Down has a solo album that's starting to get air-play on SquiZZ. I have a message for Serj:

Gilbert & Sullivan called. They said you should stop biting their style.

Metallica IS Spinal Tap

I've always thought metallica sucked. But I never really cared so much. I sort of ignored them when they were on the radio. But ever since Metallica came out as the sock puppets for the RIAA against Napster, I've actively disliked them. Not that I'm really in favor of illegal music swapping, but the RIAA was (and is) more a part of the problem than not. It's just extra fitting that Metallica, out of everyone, would be the tools that would step up and spout the party line for them.

But this isn't about that, really.

Lately, a new Metallica track has been playing on SquiZZ. It's Metallica's take on "The Ecstasy of Gold." Now, you may not recognize that song title. It's part of the soundtrack of the movie "The Good, The Bad and The Ugly." Remember the scene where Tuco, Blondie and Angel Eyes had a 3-way shoot out in the graveyard near the end of the movie? It's that music. It's one of Ennio Morricone's finest works. And, like John Williams, Morricone is truly representative of what classical music composers historically have been. The fact that the music is the background to a movie isn't really that different from the times when the music was the background to an opera. So I give much props to Morricone's talent. His work will live as long as Mozart's.

So, again, where does Metallica come in? Remember the scene from "This Is Spinal Tap" where Nigel and Marty discuss the minor key and its relationship to classical music... only to then reveal that the complex classical-based composition they've been noodling around is called, "Lick My Love Pump." That's really the only thing missing from the Metallica to Spinal Tap connection with Morricone's tune - they didn't rename it "The Ecstasy of Taking My Meat Hammer Up Your Poop-chute."

Feh. Take that to eleven, beyotch.

P.s. Before anyone jumps down my throat, yes, I am aware that the band has used "Ecstasy" as their warm up music for years. That just drives the point home, as far as I'm concerned. I wasn't aware of it before now because you'd never catch me dead at one of their concerts.